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MARTIN WHATSON - SNEAK PEEK

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MARTIN WHATSON - SNEAK PEEK
Item Details
Description
Artist: Martin Whatson

Title: Sneak Peek

12 hour open edition.

Sold out.

2021.

Giclee with 7 Colour Screen Print On 300 Gsm Somerset satin Paper.

50 x 25 cm.

Stamped by Martin Whatson & Graffitiprints.

Comes with Certificate Of Authenticity.

Paper embossed around the crack for a 3D effect with the graffiti in the background.


Martin Whatson (b.1984) is a Norwegian street artist best known for his calligraphic scribbles in grayscale voids. Over the past decade, Martin has developed an unmistakable aesthetic combining abstract movement with figurative stencilled compositions. His works can be seen to mirror the rise and fall of the streets, as he symbolically recreates the urban environment, then vandalises it to reveal his vibrant transformations.


Growing up in Oslo Norway, Martin was an active part of the emerging graffiti scene of the early 90s which at the time maintained zero tolerance. The physical architecture of the city was a constant inspiration, the elaboration and destruction of each generation contributing to the urban infrastructure. The same deconstructive processes can be seen in his creative influences of Jose Parla and Cy Twombly. In the early 2000s, this interest in layers became more literal with the introduction of stencils into his work. The evolution moved him closer to a simple yet effective aesthetic he believed could bridge the gap between the passion and spontaneity Graffiti held for him, with the fragility and transience of nature. This balance would come to define his creative approach.


With as many works on walls as on canvas and paper, the relationship between vulnerability and strength remains constant in each work. Delicate and organic characters feature; butterflies, ballerinas and animals all rendered in empty grayscale space. Almost stylised, these minimal figures are constructed of a few layers of hand-cut stencils. The ashen tones of the compositions and vacant backgrounds are reminiscent of his alternative canvases, the concrete. True to form, no gray space stays gray for long in Martins presence. whether immersing entirely or embellishing a detail, the images disappear beneath expressive, spray-painted strokes of assorted colours and textures.


Martins work features with festivals, projects and walls globally. His original work can be found in private collections and institutions with solo exhibitions featured in cities from Tokyo to LA, London to New York.

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MARTIN WHATSON - SNEAK PEEK

Estimate $1,500 - $2,000
Feb 19, 2022
See Sold Price
Starting Price $600
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item
0012: MARTIN WHATSON - SNEAK PEEK
Lot Passed0 Bids
Est. $1,500 - $2,000Starting Price $600
February Premium Street & Pop Art Auction
Feb 19, 2022 1:00 PM EST
Buyer's Premium 25%
Lot 0012 Details
Description
...
Artist: Martin Whatson

Title: Sneak Peek

12 hour open edition.

Sold out.

2021.

Giclee with 7 Colour Screen Print On 300 Gsm Somerset satin Paper.

50 x 25 cm.

Stamped by Martin Whatson & Graffitiprints.

Comes with Certificate Of Authenticity.

Paper embossed around the crack for a 3D effect with the graffiti in the background.


Martin Whatson (b.1984) is a Norwegian street artist best known for his calligraphic scribbles in grayscale voids. Over the past decade, Martin has developed an unmistakable aesthetic combining abstract movement with figurative stencilled compositions. His works can be seen to mirror the rise and fall of the streets, as he symbolically recreates the urban environment, then vandalises it to reveal his vibrant transformations.


Growing up in Oslo Norway, Martin was an active part of the emerging graffiti scene of the early 90s which at the time maintained zero tolerance. The physical architecture of the city was a constant inspiration, the elaboration and destruction of each generation contributing to the urban infrastructure. The same deconstructive processes can be seen in his creative influences of Jose Parla and Cy Twombly. In the early 2000s, this interest in layers became more literal with the introduction of stencils into his work. The evolution moved him closer to a simple yet effective aesthetic he believed could bridge the gap between the passion and spontaneity Graffiti held for him, with the fragility and transience of nature. This balance would come to define his creative approach.


With as many works on walls as on canvas and paper, the relationship between vulnerability and strength remains constant in each work. Delicate and organic characters feature; butterflies, ballerinas and animals all rendered in empty grayscale space. Almost stylised, these minimal figures are constructed of a few layers of hand-cut stencils. The ashen tones of the compositions and vacant backgrounds are reminiscent of his alternative canvases, the concrete. True to form, no gray space stays gray for long in Martins presence. whether immersing entirely or embellishing a detail, the images disappear beneath expressive, spray-painted strokes of assorted colours and textures.


Martins work features with festivals, projects and walls globally. His original work can be found in private collections and institutions with solo exhibitions featured in cities from Tokyo to LA, London to New York.

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